PDF Ebook Digital Video and HD, Second Edition: Algorithms and Interfaces (The Morgan Kaufmann Series in Computer Graphics), by Charles Poynton
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Digital Video and HD, Second Edition: Algorithms and Interfaces (The Morgan Kaufmann Series in Computer Graphics), by Charles Poynton
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Digital Video and HD: Algorithms and Interfaces provides a one-stop shop for the theory and engineering of digital video systems. Equally accessible to video engineers and those working in computer graphics, Charles Poynton’s revision to his classic text covers emergent compression systems, including H.264 and VP8/WebM, and augments detailed information on JPEG, DVC, and MPEG-2 systems. This edition also introduces the technical aspects of file-based workflows and outlines the emerging domain of metadata, placing it in the context of digital video processing.
- Basic concepts of digitization, sampling, quantization, gamma, and filtering
- Principles of color science as applied to image capture and display
- Scanning and coding of SDTV and HDTV
- Video color coding: luma, chroma (4:2:2 component video, 4fSC composite video)
- Analog NTSC and PAL
- Studio systems and interfaces
- Compression technology, including M-JPEG and MPEG-2
- Broadcast standards and consumer video equipment
- Sales Rank: #399629 in Books
- Published on: 2012-02-07
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.70" w x 7.70" l, 3.65 pounds
- Binding: Hardcover
- 752 pages
From the Back Cover
"This is the "Gamma Sutra" ― a guide to the pleasures of understanding electronic pictures. It's like having the world's best teacher giving you a private seminar on whatever you need to know."
―Mark Schubin, multiple Emmy Award-winning Fellow of the Society of
Motion Picture and Television Engineers
"We are all looking forward to the benefits that will result from the convergence/collision between digital television and computers. This book is an invaluable reference in how digital video is done, both for TV people and for computer graphics people, and it will go a long way toward accelerating the convergence and in minimizing the damage it may cause to either party."
―From the Foreword by Jim Blinn, Microsoft Research
Rapidly evolving computer and communications technologies have achieved data transmission rates and data storage capacities high enough for digital video. But video involves much more than just pushing bits! Achieving accurate color, smooth motion, and the best possible image quality requires understanding many aspects of image acquisition, coding, processing, and display that are outside the usual realm of computer graphics. At the same time, video system designers are facing increasing demands to interface with film and computer systems, and they therefore need to understand many of the techniques of computer graphics.
Digital Video and HDTV Algorithms and Interfaces covers the theory and engineering of digital video systems in a manner that is equally accessible to video engineers and computer graphics practitioners. It provides succinct and accurate treatment of standard-definition television (SDTV), high-definition television (HDTV), and compression systems. With the help of hundreds of high-quality technical illustrations and an extensive glossary, this book details the following topics:
*Basic concepts of digitization, sampling, quantization, gamma, and filtering
*Principles of color science as applied to image capture and display
*Scanning and coding of SDTV and HDTV
*Video color coding: luma, chroma (4:2:2 component video, 4fSC composite video)
*Analog NTSC and PAL
*Studio systems and interfaces, including SDI, IEEE 1394, and DV-over-1394
*Digital videotape recording
*Compression technology, including M-JPEG, DV, and MPEG-2
*Broadcast standards (including digital television, DTV) and consumer video equipment
About the Author
Charles Poynton is an independent contractor specializing in digital color imaging systems, including digital video, HDTV, and digital cinema. A Fellow of the Society of Motion Picture and Television Engineers (SMPTE), Poynton was awarded the Society’s prestigious David Sarnoff Gold Medal for his work to integrate video technology with computing and communications. Poynton is the author of the widely respected book, A Technical Introduction to Digital Video, published in 1996. Engineers (SMPTE), and in 1994 was awarded the Society's David Sarnoff Gold Medal for his work to integrate video technology with computing and communications. He is also the author of A Technical Introduction to Digital Video.
Most helpful customer reviews
15 of 15 people found the following review helpful.
Imperfect, but useful reference
By Dr Mike
I was interested in this book mainly because of the content dealing with vision and less on the technical aspects. I've been involved in ISO and ANSI vision standards as part of my profession, including color standards. I think a reference book that combines visual and technical aspects of imagery fills an important niche in vision science and optical engineering. With that in mind, I was impressed with how much information was covered in this reference book. I will be using it for my work.
Unfortunately, I think the parts of the book that deal with vision are the weakest parts of the book. Clearly the author doesn't have formal training in this area and is not up to date on what takes place in vision science and color science. However he does have a rudimentary understanding and that is perhaps enough for the primary readership he is reaching. As an example, he mentions that researchers in the United States do not use SI units. That is completely false and has been false for well over 30 years. All vision scientists such as myself have been using international units for decades. For someone who is supposedly an expert to make such a blatently untrue statement seems odd to me.
The authors gets some things incorrect about psychophysical testing and makes assumptions that aren't true. He clearly has read some older texts on the subject and thinks these methods are still practiced, when they are not. It is a pity that he didn't invite a co-author who was a vision scientist or a color scientist to help write the book, or at least bring it up to date. Anyone reading the sections on vision and physiological aspects of color should take the information in the book with a grain of salt. It is good as an introduction, but shouldn't be used as a complete or even accurate reference on the subject.
I did notice some errors in some of the figures. Some even gave me a chuckle, but such things do happen when you have one author and apparently no professional editorial assistance to find such errors before printing. The errors I found were not serious, but there are technical portions of the book that are not in my area of expertise and I can't speak for errors in those sections.
One of the most frustrating aspects of the book is that it is so poorly referenced. I took off a star for that alone. This is supposed to be a reference book, but there are very few references and the ones that are there, are thrown in on the margins as kind of an afterthought. There is no citation of these back to the text, plus there are important sections in the text that beg to be cited. The references are also not listed in order at the end of each chapter. This is a shame and I'm sure it happened because the author has no formal scientific training to understand the importance of citing his sources so the reader can research a topic in greater detail from the original source.
Despite the weaknesses of the book, I will keep it and hope to use it occasionally or refer others to it. I think it fills an important void. It would have been a better book if it included input from a vision scientist and if the author had correctly cited his source material.
4 of 4 people found the following review helpful.
The BIBLE for all things Digital Video!
By Paulo Leite
This is an impressive book. It goes over all aspects regarding Digital Video. Really, it leaves no stone unturned - to a point where from a certain chapter on, you must have some technical education and experience to keep on reading. This is not a book for a casual reader who only cares about knowing a thing or two about HD formats. Instead, this is a book for those who REALLY work with HD equipment on an everyday basis... or someone considering a career in electronic engineering or related areas of expertise. People who work with editing software and digital special effects should also benefit from this book. Not to mention Cinematographers who want to be future-proof and camera crews - for those it's a MUST have it.
I was expecting a much simpler book... but since I do work with film/video (I'm not new to the subject), I found the book amazing. It trully explains everything you might want to know about HD video. HD video is a subject that is ever evolving... so it is certain that this will not be the only book you'll need... but right now, it is one that you must have.
RECOMMENDED!
3 of 3 people found the following review helpful.
Great text on digital video
By Cooljonnorris
This is a full blown, high level textbook on digital video and high definition. It is not for those who want to know how to post their phone cam videos on YoutTube or Facebook. (Although I'll admit there might be some overlap there...)
This is hardcore, math intensive, belly of the beast technology information, well written and presented in a high quality textbook.
While it is about digital video, there is also quite a bit of information about analog video, and how that differs from digital. As someone who has worked in professional analog video for over 30 years, I found that grounding in the historical information to make the text far more useful and accessible.
It also cemented the author's understanding and knowledge of video in my mind. Many people today gloss over the historical roots which are essential to understanding many conventions in video. This author integrates that information very well.
I found the author's writing style transparent, clear and detailed, without the excessively florid prose one finds all too often in textbooks or academic works. While much of the topic is highly technical and deeply math laden, the author is able to communicate this information clearly and concisely, which is a refreshing break from most such texts. The ability to convey complex information in such a manner is rare and not as well appreciated as it should be.
The material covered ranges from a definition of raster and pixel displays to High Definition color coding and signal processing. Topics include; video compression, filtering and sampling, digitization and reconstruction, perception and visual acuity, luminance and color science, gamma, component video, timecode, interlacing, signal processing, JPEG and motion JPEG, and much, much more.
The concepts are explained clearly with diagrams and graphs when needed, and the associated math is well presented.
While the material is far more detailed and in-depth than anything I would use in my daily work, I nevertheless found much interesting material and clarification of topics which do impact my routine video use.
Highly recommended to anyone interested in the deeper technology behind video today.
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